Enjoy an evening of superb classics with Canadian piano virtuoso Ian Parker. The recipient of prestigious awards from the Juilliard School and the Canada Council for the Arts, he made his Lincoln Center recital debut in 2004 and toured with the renowned Vogler Quartet in 2005–2006. Mr. Parker has played with the Cleveland Orchestra, the National Symphony, the Buffalo Philharmonic, and the Toronto Symphony, to name just a few.
PROGRAM
Ludwig van Beethoven
Piano Sonata in E-flat Major, Op. 27, No. 1
Fryderyk Chopin
Fantaisie in F minor, Op. 49
Ludwig van Beethoven
Piano Sonata in C-sharp minor, Op. 27, No. 2, “Moonlight”
Alexina Louie
Memories in an Ancient Garden
Franz Liszt
Sonata in B minor
*Please join us for a pre-concert wine and cheese reception for ticket holders.
Part of Prestige Concert Series: 2009-2010
For further information click here
Part of Music Workshops & Master Classes
For further information click here
ARTISTS
Nelson Lee, violin
Meg Freivogel, violin
Liz Freivogel, viola
Daniel McDonough, cello
Click below to hear a sample of one of the Jupiter String Quartet's many striking performances.
Returning for a second season, the Jupiters present a daring program combining the elegance of Haydn, the power of Beethoven, and contemporary composer Osvaldo Golijov’s hauntingly evocative music rooted in Jewish memory and experience.
PROGRAM
Franz Joseph Haydn
String Quartet in F minor, Op. 20, No. 5
Osvaldo Golijov
Yiddishbbuk: Inscriptions for string quartet
Ludwig van Beethoven
String Quartet in E-flat Major, Op. 127
*Please join us afterward for a post-concert discussion.
Part of Prestige Concert Series: 2009-2010
For further information visit www.jupiterquartet.com
Part of Music Workshops & Master Classes
For further information click here
Click below to hear the Director discuss the history and relevance of Street Scene and share her thoughts on Adelphi's production.
Elmer Rice’s Pulitzer Prize-winning play of 1929 depicts the experience of first-generation immigrant families who find themselves trapped in a slum neighborhood of New York City. Rice’s day-in-the-life approach to this tenement full of working class people and his focus on their struggles to get on with their lives and along with each other is really the heart of the play. The cast of 40 includes Adelphi theatre majors as well as members of the local community.
There will be loud noises and smoke used in this performance
Performances: 10/6–7:30 p.m. | 10/7–6:30 p.m.* | 10/8–7:30 p.m. | 10/9–11:00 a.m. & 7:30 p.m. | 10/10–8:00 p.m. | 10/11–2:00 p.m. *Please join us afterward for a post-show discussion.
See talented alumni appear in their first solo performances at AU PAC. It's the musical highlight of Adelphi’s Homecoming Weekend and a perfect way to kick back with friends and fellow alumni!
ARTISTS
Kristin Barone‘06, piano
Queens College, Master of Music and Artist Diploma in Chamber Music; The Barone-Finarovksy Piano Duo
Jeanna Campo ‘08, voice
2008 Radio City Christmas Show on Tour; CD: Songs of Jeanna Campo
Vincent Ricciardi ‘05, voice
Musical Theatre workshops and recordings; ‘Pirates of Penzance’ Off-Broadway; Co-writing and performing a play on the life and career of Mario Lanza
Sara Slocum ‘07, flute
Teaching studio; Adelphi Orchestra and other ensembles; Duo partnership with guitarist/lutenist Daniel Keene ’08
Danielle Vita ‘05, voice
Queens College, Master of Music; Amici Opera; Queens Opera Association; Featured soloist in concert premiere at Carnegie Hall
Expect to be moved by tender art songs and dazzling arias and duets sung by master performers Anneliese Von Goerken and Jonathan Goodman. These faculty artists have been heard in opera, oratorio, and recital throughout the United States.
Expect to be moved by tender art songs and dazzling arias and duets sung by master performers Anneliese Von Goerken and Jonathan Goodman. These faculty artists have been heard in opera, oratorio, and recital throughout the United States.
Celebrate the centennial of Ballet Russe's debut with these spellbinding pieces—Doug Varone's acclaimed “Sacre,” inspired by Stravinsky's “Sacre du Printemps” and originally choreographed by Nijinsky in 1913, and Leda Meredith’s newly created “Petrouchka,” inspired by Stravinsky's “Petrouchka” and originally choreographed by Fokine in 1911.
Audio clip available
